「常噪症」-體域聲流Ｉｒｒｉｔａｂｌｅ Ｎｏｉｓｅ Ｓｙｎｄｒｏｍｅ－Ｓｏｕｎｄ Ｔｕｒｂｕｌｅｎｃｅ
麥克在許多綽號和不同配置下表演過。 他的每一個項目都已經形成，以創造出充滿活力的音樂。 拓展音樂是麥克奧克利的最新目標。 這個項目遵循麥克從未停滯不前的個人堅持。 隨著模擬合成器和其他電子設備的推出，拓展增加了70年代和80年代合成波風格的即興和噪音音樂之影響。 麥克奧克利最初來自美國阿肯色州，目前居住在泰國清邁。 除了多產的唱片外，麥克還巡演了美國，日本，韓國，泰國，柬埔寨，越南，老撾，緬甸和馬來西亞。 節目的範圍可以從柔和，環境，旋律音景到牆上的強烈噪音。
Michael Oakley has performed under many monikers and in different configurations. Each of his projects has been formed to create music which is as passionate as it is dynamic. Breadth is the latest incarnation of Michael Oakley’s music. This project follows the Michael’s personal axiom of never remaining stagnant. With the introduction of analog synthesizers and other electronic gear, Breadth adds to the influences of improvised and noise music with the styles of 70’s and 80’s synth-wave. Michael Oakley is originally from Arkansas, USA and currently resides in Chiang Mai, Thailand. In addition to a prolific discography, Michael has toured the USA, Japan, South Korea, Thailand, Cambodia, Vietnam, Laos, Myanmar, and Malaysia. Shows can range from subdued, ambient, melodic soundscapes to wall-of-sound intense noise.
Ling zongting, a mechanical engineer from the Institute for New Media Art of Taipei National University of the Arts, has developed many large-scale kinetic sculptures, is proficient in organizational/mechanical design, and is interested in field domain and light, in particular. From 2015 to 2016, Mr. Ling has made demonstrations in Taipei in the name of 2700k art group, discussing the possibility of creation involving in urban scenes by means of quick flashing, people interaction, temporarily built community and light. He became a member of the unregulated crowdfunding team in 2017 and co-founded MountainBlack Base in January 2018.
https://www.facebook.com/12.MountainBlack/In this demonstration, Mr. Ling will try to create noise performance using industrial settlement sampling, parametric A/V and real devices. He will work out the stereo lofting superimposition for the industrial settlement of space-time field domain and economic takeoff in the 1980s with sound as a medium, intended to outline the time awareness in different views of stand between 1980s and present time, between inside and outside of factory, and between the worker and the capital.
Kuo Jen Chi’s work is deeply influenced by Post-rock music and Ambient music. The performance disassembles the present space-time with the experimental sound, in addition, everything is recognized by the stream of consciousness. The participants may wander and indulge in the parallel space and time, in which to explore the inner dimension of soul, to travel both tenderly and endlessly in the world of awareness.
Siao-Chi,Chen (Achi) was born in 1990 in Taiwan. His passion for performance art was inspired by many types of sub-cultural music and dance. In 2008, he was enrolled into Department of Drama of National Taiwan University of Arts, majoring in directing and performing. Achi’s work is based on his exploration of body, consciousness and space, as well as his observations on social issues and human behavior patterns in everyday life.
Min-JU Graduated from University of Taipie, majoring in visual arts and the creation mainly based on the Limit concept of mixed media and installation art. Due to long-term noise in the living space, step on the journey of pried into the sound to extend the time and space, and Start to contact the sound art and performance art. Mainly handle the forced perspective of body perception and space-time, walking on the boundary between the illusory and reality, and reconstructing the sensory experience and perspective. Representative works have ”Turn down (2017)”, “On the Line” (2017).
時間 2018/06/16(六) 五點半可以入場