常噪症-體域聲流(Irritable Noise Syndrome-Sound turbulence)

「常噪症」-體域聲流Irritable Noise Syndrome-Sound Turbulence

常常覺得有身體有一種躁動
它傳來了聲音
傳來了噪音

我的老天爺
體域
聲流不息
難道我是得了常噪症嗎?

藝術家介紹(Artis)

麥克奧克利

麥克在許多綽號和不同配置下表演過。 他的每一個項目都已經形成,以創造出充滿活力的音樂。 拓展音樂是麥克奧克利的最新目標。 這個項目遵循麥克從未停滯不前的個人堅持。 隨著模擬合成器和其他電子設備的推出,拓展增加了70年代和80年代合成波風格的即興和噪音音樂之影響。 麥克奧克利最初來自美國阿肯色州,目前居住在泰國清邁。 除了多產的唱片外,麥克還巡演了美國,日本,韓國,泰國,柬埔寨,越南,老撾,緬甸和馬來西亞。 節目的範圍可以從柔和,環境,旋律音景到牆上的強烈噪音。

Michael Oakley has performed under many monikers and in different configurations. Each of his projects has been formed to create music which is as passionate as it is dynamic. Breadth is the latest incarnation of Michael Oakley’s music. This project follows the Michael’s personal axiom of never remaining stagnant. With the introduction of analog synthesizers and other electronic gear, Breadth adds to the influences of improvised and noise music with the styles of 70’s and 80’s synth-wave. Michael Oakley is originally from Arkansas, USA and currently resides in Chiang Mai, Thailand. In addition to a prolific discography, Michael has toured the USA, Japan, South Korea, Thailand, Cambodia, Vietnam, Laos, Myanmar, and Malaysia. Shows can range from subdued, ambient, melodic soundscapes to wall-of-sound intense noise.

凌宗廷

台北藝術大學新媒體藝術研究所,機械工程師。
開發過許多大型動力雕塑,專長於機構/機械設計,對場域與光線特別感興趣,2015-2016年間以2700k藝術團體的名義在台北進行展演,以快閃、群眾互動、臨時自造社群與光線來探討創作介入城市場景的可能,2017年曾參與野青眾統籌團隊,2018年1月共同成立黑山基地https://www.facebook.com/12.MountainBlack/將在這次表演中,嘗試用工業聚落採樣、參數式音像與實體裝置來創作噪音展演。試著以聲音做為媒介,將時空場域與70年代經濟起飛的工業聚落做出立體放樣疊合,試圖勾勒出70年代與當代、工廠內與工廠外、勞動者與資方,不同立場下的時間感知。

Ling zongting, a mechanical engineer from the Institute for New Media Art of Taipei National University of the Arts, has developed many large-scale kinetic sculptures, is proficient in organizational/mechanical design, and is interested in field domain and light, in particular. From 2015 to 2016, Mr. Ling has made demonstrations in Taipei in the name of 2700k art group, discussing the possibility of creation involving in urban scenes by means of quick flashing, people interaction, temporarily built community and light. He became a member of the unregulated crowdfunding team in 2017 and co-founded MountainBlack Base in January 2018.
https://www.facebook.com/12.MountainBlack/In this demonstration, Mr. Ling will try to create noise performance using industrial settlement sampling, parametric A/V and real devices. He will work out the stereo lofting superimposition for the industrial settlement of space-time field domain and economic takeoff in the 1980s with sound as a medium, intended to outline the time awareness in different views of stand between 1980s and present time, between inside and outside of factory, and between the worker and the capital.

郭人綺

創作深受後搖滾與氛圍音樂影響,透過實驗聲響解構當前時間軸,全然交由意識流重組,低迴、汩溺於平行時空,試圖探索心靈內在的維度,柔軟且漫長的 展開意識旅行。

Kuo Jen Chi’s work is deeply influenced by Post-rock music and Ambient music. The performance disassembles the present space-time with the experimental sound, in addition, everything is recognized by the stream of consciousness. The participants may wander and indulge in the parallel space and time, in which to explore the inner dimension of soul, to travel both tenderly and endlessly in the world of awareness.

陳孝齊

別名陳考齋,九零青年,目前為臺灣藝術大學碩士與藝文相關工作者,從街頭舞蹈及音樂開始藝術生涯,在台灣藝術大學研修表演及導演。創作奠基於對身體、意識及空間的探索,社會議題與對人類日常行為模式的觀察心得,經常是其創作題材。

Siao-Chi,Chen (Achi) was born in 1990 in Taiwan. His passion for performance art was inspired by many types of sub-cultural music and dance. In 2008, he was enrolled into Department of Drama of National Taiwan University of Arts, majoring in directing and performing. Achi’s work is based on his exploration of body, consciousness and space, as well as his observations on social issues and human behavior patterns in everyday life.

李敏如

畢業於台北市立大學視覺藝術學系,創作以限地概念的複合媒材與裝置藝術為主。因長期居住空間的隔音不良踏上以窺探聲音延展時空的旅程,而開始接觸聲音藝術與行為展演。主要處理身體感知與時空的借位現象,在虛實的界線上遊走,重構感官經驗與觀看視角。代表作品有《放低音量》(2017)、《上線》 (2017)。

Min-JU Graduated from University of Taipie, majoring in visual arts and the creation mainly based on the Limit concept of mixed media and installation art. Due to long-term noise in the living space, step on the journey of pried into the sound to extend the time and space, and Start to contact the sound art and performance art. Mainly handle the forced perspective of body perception and space-time, walking on the boundary between the illusory and reality, and reconstructing the sensory experience and perspective. Representative works have ”Turn down (2017)”, “On the Line” (2017).


時間 2018/06/16(六) 五點半可以入場
地點 酸屋(永和路二段五十二巷四弄十號)

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