真的假的-文化工業的誘惑 True Or False-Temptation Of Cultural Industry

-啟蒙的神話-"大劇院時代帶來藝術生活-真的假的!?"
"社區參與、共享共生-真的假的!?"
"現在成為DJ是很簡單的事-真的假的!?"
"加強推廣-只要NT.60,就可以觸及300人-真的假的!?"
"工作坊、體驗營,帶給你全新的生命歷程-真的假的!?"在科技擬象時代中,一切的一切不知道真的假的。
我們被文化的工業誘惑著,哪裡才能有真實?

表演者介紹|CV-

DJ 誠意重 | https://www.mixcloud.com/124842426/
從DJ的角度來玩有趣的雜音、音樂,偏好用唱盤來玩,有一些早年買的TECHNO跟DNB 黑膠唱片但很少放,DJ放歌喜歡實驗電子 /Minimal /IDM /Glitch /Abstract /trip hop /noise 等不同類型跨越串來串去,最接觸御宅族文化發現許多有趣的地下音樂也會放在set裡。Chéng Yì Chóng https://www.mixcloud.com/124842426/

DJ Chéng Yì Chóng uses a strict DJ vantage to explore and create new worlds within the elements of music, noise and sound. Preferring the analog feel of Vinyl , Chéng Yì Chóng has a vast back catalogue of Techno/ DNB vinyl, which he likes to blend together with all different genres of music, from Instrumental Electronic, minimal, IDM, Glitch, Noise and countless others to create something that is quite often rare and unexplored by any other artist or DJ. Chéng Yì Chóng has a deep connection to Japanese Otaku culture and has used this interest to explore further into new and unheard types of music that he fuses together with other genres to create what is always described as a truly unique experience.

吳俊輝 | Wayland
台北underground電子音樂派對「紫牛太虛」與「上帝之鎚」的創辦人。電子音樂成癮者,經歷不同時期樂風洗禮,近年專注於主辦音樂活動與DJ演出。Wayland的演出非常在意整個SET的結構起伏變化,喜歡用ambient鋪陳,不時融入實驗與民謠的元素,引領聽眾穿越猶如時空隧道般的奇幻旅程,並同時運用四軌混音,讓演出更逼近Live的狀態,掌握EQ變化的樂趣。獨有的意識流混音手法是他最容易辨識的特色。

Aside from being a DJ, Wayland is also the founder of “Purple Cow 2 Void” and “Hammer of God”, two collectives dedicated to promoting underground electronic music events throughout Taipei.Wayland’s signature sound is his unique stream-of-consciousness mixing style. He focuses especially on the structure and its flow and ebb. Using ambient as his base tone while mixing in experimental or folk elements from time to time, Wayland often creates trips that take the audience on a time travel. In addition, he likes to mix with four decks and enjoys manipulating EQs, making his DJ sets approach more like live sets.

陳孝齊 | Siao-Chi,Chen
別名陳考齋,九零青年,目前為臺灣藝術大學碩士與藝文相關工作者,從街頭舞蹈及音樂開始藝術生涯,在台灣藝術大學研修表演及導演。創作奠基於對身體、意識及空間的探索,社會議題與對人類日常行為模式的觀察心得,經常是其創作題材。2013年以「派對劇場」概念,作為組織次文化社群、策畫集體行動的方式,於非制式展演場所進行表演與空間實驗,並主辦多場電子音樂活動。2014年與夥伴在永和經營社群基地「酸屋Acid House」,以藝術展演帶入社區生活為理念,策劃多場另類展演。2017年赴尼泊爾駐村兩個月,與當地藝術家交流合作展演相關活動。

Siao-Chi,Chen (Achi) was born in 1990 in Taiwan. His passion for performance art was inspired by many types of sub-cultural music and dance. In 2008, he was enrolled into Department of Drama of National Taiwan University of Arts, majoring in directing and performing. Achi’s work is based on his exploration of body, consciousness and space, as well as his observations on social issues and human behavior patterns in everyday life. On July 2012, he organized “Theatre Of Party”, which occasionally performs in specific place, devoting in party-like performances, combining different fields of art to stimulate people. In 2015, Achi and his friends started the “Acid House” at Yonghe, curating many alternative art exhibits and performances in hopes of bringing art into community life. In 2017, he went to Nepal for a two-month art residency, cooperating and doing performance with local artists.

李敏如 | Min-JU-Lee
畢業於台北市立大學視覺藝術學系,創作以限地概念的複合媒材與裝置藝術為主。因長期居住空間的隔音不良踏上以窺探聲音延展時空的旅程,而開始接觸聲音藝術與行為展演。主要處理身體感知與時空的借位現象,在虛實的界線上遊走,重構感官經驗與觀看視角。代表作品有《放低音量》(2017)、《上線》 (2017)。

Min-JU Graduated from University of Taipie, majoring in visual arts and the creation mainly based on the Limit concept of mixed media and installation art. Due to long-term noise in the living space, step on the journey of pried into the sound to extend the time and space, and Start to contact the sound art and performance art. Mainly handle the forced perspective of body perception and space-time, walking on the boundary between the illusory and reality, and reconstructing the sensory experience and perspective. Representative works have ”Turn down (2017)”, “On the Line” (2017).

賴宗昀 | LTY
擁有工業設計背景的年輕藝術家賴宗昀,就讀於臺北藝術大學新媒體藝術學系研究所。同時爲「失聲祭」聲音藝術活動策展人之一。創作以音像為始,對於生命狀態意義的追尋。近年作品開始聚焦於資本主義社會中生產/消費行為模式的操作,試圖透 過翻轉消費者與生產者的關係,創造出一種再生產的可能。於2013年起擔任台灣最具代表性聲音藝術活動之一失聲祭活動策展人。失聲祭始於2007年,至今舉辦聲響演出活動超過上百場。今年邁入第十年,旨在推廣台灣聲音藝術演出平台,同時也積極的與國外聲音藝術組織進行合作交流。

LAI,Tsung-Yun, a young artist with industrial design background, is a grad student in Department of New Media Art,Taipei National University of the Arts. Currently, he is one of the curators of Lacking Sound Festival.The artist began with audiovisual works that examine the meaning of life. His recent works center around production and consumption in a capitalist society, and hopes to create a new mode of reproduction through reversing the relationship between producers and consumers.The artist has curated the Lacking Sound Festival since 2013, which is Taiwan’s most renowned sound art performance festival. Now in its tenth year, the Lacking Sound Festival has organized over a hundred different sound art performances since 2007. The Festival promotes sound art events in Taiwan and actively works with sound artist groups from abroad.

票價:預售新臺幣300圓,現場新臺幣400圓
-時間:11/26(日) 19:00入場
-地點:玩劇島小劇場little play
-主辦單位:酸屋Acid House
-協力單位:上帝之鎚hammer of god、失聲祭lacking sound fest、玩劇島小劇場little play

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